Lindsay most recently performed at Carnegie Hall in New York City singing arias from Ariadne auf Naxos in July 2017. Also in New York, she sang the role of The Countess in Mozart's Le Nozze di Figaro with the Manhattan Opera Studio.
On the operatic stage, Lindsay stepped in to perform the title role in Puccini’s Turandot with Sarasota Opera. In the same season, she covered and performed, with three hours notice, selections from Verdi’s Aida in Sarasota Opera’s Verdi Bicentennial Orchestra Concert. She won positive acclaim from audiences and critics alike in her mainstage debut at Sarasota Opera with her portrayal of Abigail Williams in Robert Ward’s The Crucible. Also with Sarasota Opera she performed the role of Countess Ceprano in Rigoletto and created a kind and sympathetic Kate Pinkerton in Madama Butterfly.
Ms. Barche was a 2016 semi-finalist in the Lois Alba Aria Competition in Houston, TX and was a 2016 and 2015 finalist in Opera Idol Chicago where she had the privilege of working with Sherrill Milnes. Lindsay was selected for the Helen Jepson award and received a grant from the Bradenton Opera Guild in Sarasota, FL. As an Apprentice Artist with Sarasota Opera she was awarded the Stuart Silver Grant from the Sarasota Opera Guild. At home in Chicago's Bel Canto Foundation Competition, she won the Bella Voce Award and Bravo Award in 2016, 2015 and 2008 as well as being a semi-finalist in 2012.
In concert, Lindsay performed the soprano solos in Mendelssohn's Elijah with the Music Institute of Chicago Chorale in July of 2016. In other concerts she performed selections from Ernani, Aida, and Die Lustige Witwe with orchestra at Sarasota Opera. She was the soprano soloist in the world premiere of Sven-David Sandström’s work, Wachet auf, ruft uns die Stimme and was also the soprano soloist in Ralph Vaughan Williams’ Mass in G Minor with the Rockefeller Memorial Chapel Singers. With the Richton Park Chorus she was a soprano soloist in Britten's Ceremony of Carols and Mendelssohn's Elijah.